The museum worked with the art galleries at Williams College and, especially, Yale University on the project, and the partners will evaluate what to do when the quarter-century is up. The LeWitt retrospective is on view until 2033 - yes, a 25-year run - which makes sense given the complexity, breadth and expense of what was involved in putting on the show. ![]() Like many of the wall drawings from this time, the work consists of a system of parallel lines drawn on a white wall in four directions (vertical, horizontal, diagonal left, and diagonal right. Like the single Springfield work, the show was designed so all the drawings (with one exception) are on interior walls, which leaves the windows exposed around the building’s perimeter walls. Wall Drawing 87 was first installed by Sol LeWitt in his own home in 1971. Meanwhile, the Mass MOCA website also has a terrific array of information about its retrospective exhibition, including time-lapse pictures of the installation in progress. Commissioned for the Art in Architecture Program run by the federal General Services Administration and installed last summer, it’s worth a detour to see. Most any pilgrimage route to North Adams from the south or east goes through Springfield, but as far as I can tell this final LeWitt work hasn’t been written about before now. MASS MoCA Experience Sol LeWitt: A Wall Drawing Retrospective with an all-new self-guided 3D tourzoom in on the details of your favorite pieces, look back at the installation process with time-lapse videos, and uncover nuggets of knowledge and history as you virtually stroll through the winding galleries. These include his rectangles within rectangles, a motif he first explored in the sculptural pieces from the 1960s, and the circles and arcs he began to work with in the 1970s. The loopy-doopy drawing, flooded with natural light from the building’s glass facade and skylights directly above, takes that fundamental difference and runs with it. Wall Drawing 915 can be read as an amalgamation of many of Sol LeWitt ’s formal themes from the 1960s through the 1990s. ![]() Buildings can be eccentric, but they must also subscribe to the logic of structural codes - which an artist can happily ignore. (The building was designed by Boston architect Moshe Safdie.) On a black acrylic ground, the wide white lines seem to emerge from the surrounding white-walled interior, which merges a rectilinear grid with a compound curve. ![]() The energy of the piece derives from the way it negotiates the crazy play of its linear twists and turns with the strict rationality of the architectural setting. On the occasion of the opening of the newly renovated Building 6, MASS MoCA has installed a number of long-term exhibitions featuring Pace artists James.
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